Hyperion to a Satyr
Saturday, June 30, 2012

III.ii. Critical Reception - Hamlet 2000

›
In Hamlet 2000, we don't stay in the theater long. Horatio and Marcella noted Claudius' blenching at the movie screen (as did we), b...
Thursday, June 21, 2012

III.ii. Critical Reception - Kline '90

›
In a small ironic twist, Hamlet runs around with a dagger at the beginning of this sequence - false fire indeed! And euphoric, he lets himse...
Thursday, June 14, 2012

III.ii. Critical Reception - Zeffirelli '90

›
An important difference with this adaptation is that the revels continue even after members of the Court scurry for the exits. It's an o...
2 comments:
Friday, June 8, 2012

III.ii. Critical Reception - BBC '80

›
Like Olivier's before him, Jacobi's Hamlet sings the opening lines of this sequence, and like Branagh's after him, he infuses th...
Sunday, June 3, 2012

III.ii. Critical Reception - Olivier '48

›
As the Court leaves the "theater", Hamlet sings his lines, throwing his torch in the air jubilantly. He becomes so manic, in fact,...
2 comments:
Sunday, May 27, 2012

III.ii. Critical Reception - Branagh '96

›
In the whirlwind of words and black comedy that follows, I had never really noticed before that Nick Farrell's Horatio doesn't actua...
Friday, May 18, 2012

III.ii. Critical Reception

›
The scene's final sequence concerns reactions less to the play than about everyone's reactions about the play. Hamlet wants to know ...
1 comment:
Thursday, May 10, 2012

III.ii. The Mouse-Trap - French Rock Opera

›
Un trĂ´ne sans roi/Throne Without a King is a transitional piece of music on Johnny Hallyday's album, but if you use your imagination, yo...
Saturday, May 5, 2012

III.ii. The Mouse-Trap - Classics Illustrated

›
The original Surprisingly, the old "boys' adventure" comics version includes both the dumb show and the speaking play, though ...
Thursday, April 26, 2012

III.ii. The Mouse-Trap - A Midwinter's Dream

›
It's likely this version of Hamlet, if actually staged, would be exhausting to both audience and actors. Because it is presented as a qu...
Wednesday, April 25, 2012

III.ii. The Mouse-Trap - Slings & Arrows

›
The very brief part of this scene used in Slings & Arrows amounts to Hamlet's opening insults to Ophelia, but there are still lesson...
Sunday, April 22, 2012

III.ii. The Mouse-Trap - The Banquet

›
Set in China, The Banquet of course presents the play-within-a-play as Chinese opera. The full court is in attendance, but the Royals are qu...
Sunday, April 15, 2012

III.ii. The Mouse-Trap - Tennant (2009)

›
Tennant's Hamlet is a petulant and mischievious child in this scene. The audience's entrance is scored with the Danish national anth...
Sunday, April 8, 2012

III.ii. The Mouse-Trap - Fodor (2007)

›
The Mouse-Trap is translated into a German experimental film in Fodor's vision. It was made very quickly, although the play does allow f...
Sunday, April 1, 2012

III.ii. The Mouse-Trap - Hamlet 2000

›
Hamlet 2000 features some important cuts, including the entirety of the play within the play, replaced by a dialogless art film of Hamlet...
Saturday, March 24, 2012

III.ii. The Mouse-Trap - Kline '90

›
In Kline's adaptation, the Royals sit on the stage, facing the audience, and the Players perform their play midway between the Royals an...
Saturday, March 17, 2012

III.ii. The Mouse-Trap - Zeffirelli '90

›
Despite his adaptation's many cuts, Zeffirelli acknowledges this scene's importance by not only showing a good part of the play-with...
Sunday, March 11, 2012

III.ii. The Mouse-Trap - BBC '80

›
Hamlet begins the scene in a cloak and skull mask which makes Claudius laugh and Gertrude smile. The staging, in which Claudius immediately ...
Sunday, March 4, 2012

III.ii. The Mouse-Trap - Olivier '48

›
Trumpets sound, everyone enters, Hamlet in darkness in the center. First, courtiers and players, showing deference, and only then do the Roy...
‹
›
Home
View web version

About Me

My photo
Siskoid
View my complete profile
Powered by Blogger.