It's likely this version of Hamlet, if actually staged, would be exhausting to both audience and actors. Because it is presented as a quick-paced montage, its energy level is consequently very high. It drives the montage well however. Maloney's Hamlet is always moving around with a barely contained fury. Every line is an attack that justifies a more defensive tone from the Royals.
This short sequence takes us from "Madam, how like you this play" to "The Mouse-Trap", the latter spoken in the direction of the audience, played as an important reveal. In the montage, it plays the role of "the play's the thing" and tells us how those early scenes with the players could be removed from a particular staging, hiding from the audience Hamlet's true purpose until Act 3 Scene 2.
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